Sunday, 27 December 2015

@annagarrettstudio - Instagram



Apparently it is good to have a presence on many social media outlets...

Thursday, 24 December 2015

Updated Statement

My work suggests how ruin, garbage and the overlooked could reveal ‘truth’ within contemporary consumer culture. Ruin Lust consists of painterly emulations of a digitalised tropical sunset, with ruinous urban collage breaking the dreamy neon haze. Signs of the ‘paradise’ image and palm tree sight an escapism linked to tourism, compared with garbage- objects stripped of mystification. Touching upon the notion of the abject, the pieces allure to the seductive toxicity of consumer culture and its reality. The ‘stupefied, hyperreal euphoria’ (1) within the constructed advertising image is the core to my practice. I aim to investigate the dreamy aura of colours designed to compel and allure, signs and symbols placed to unlock desire in the glistening fake world. An optical seduction so unsatisfying the spectator cannot look away. I want to capture this ‘euphoria’, created by entertaining the pull of human desire in the post-internet world. I am evaluating the falsity of the image, using painting and collage to disrupt the false window in the spectacle.

(1) Jean Baudrillard, 1981

Wednesday, 23 December 2015

Sweet 'Art - on London Live TV

Showed work at the Espacio Gallery on Monday with Sweet 'Art, a fundraiser exhibition for the new charity Outskirts. Also featured on telly... on London Live: http://www.londonlive.co.uk/news/2015-12-21/paintings-at-fast-food-prices-at-the-art-takeaway 

Yes that is me wandering around!

Have a good Christmas all x



Monday, 14 December 2015

Work in Espacio Gallery and Lubomirov/Angus-Hughes Gallery

Works on paper, under £30 are being displayed at Espacio Gallery, Shoreditch, with Sweet 'Art, next week.
PV 21st December



Lubomirov/Angus-Hughes Gallery, Hackney, are holding their annual Xmas Bazaar. I have two works on display until Monday.


Monday, 7 December 2015

'glitter. garden. garbage.', Take Courage Gallery, New Cross









Clockwise from left: Moths vi, Failures, Moths i, One Man's Trash, Ruin Lust: Strawberry Fields. 

'glitter. garden. garbage.' installation

A few snaps of setting up yesterday.







Saturday, 5 December 2015

Press Release, Take Courage Gallery

Press Release


Anna Garrett
glitter. garden. garbage.

Take Courage Gallery, Amersham Arms, New Cross
6 – 10 December 2015
Private View: Monday 7 December, 6.30-8pm

Anna Garrett presents two brand new works, an installation and sight specific sculpture, in solo show glitter. garden. garbage.
Failure and Moths iv combine notions of the deconstructed painting and painting as object, in addition to referencing Anna’s previous body of collage paintings: Ruin Lust. The pieces are broken yet seductive: Anna’s work suggests how ruin, garbage and the overlooked could reveal ‘truth’ within contemporary consumer culture.
The works question what a painting could be, blurring the boundaries between art and garbage. In Failures, the ruins of past paintings are hand-stitched unevenly, revealing the structure, stripping back the illusory window to the bones of the painting. Almost a ‘means of laying bare a truth buried beneath layers of false romantic aesthetics.’1 Failures appears to be ‘unfinished’, touching the moment of near completion but sinking back into ruin.

Painterly, glittery and fluorescent, the abject surfaces are fragmented by ruinous urban collage. The push and pull allures to the seductive toxicity of consumer culture and its reality. Ruin Lust consists of painted emulations of a digitalised tropical sunset, often floral or with signs of the ‘paradise’ image linked to tourism; then broken by garbage, raw objects stripped of mystification.
1. Walter Benjamin, as quoted by Naomi Stead, 2003

Tuesday, 1 December 2015

ZAP Features

Each month Zeitgeist Arts Projects focus on three artists, and I am one of them for December. 


'glitter. garden. garbage.' solo show at Riverside Cafe Gallery

27 November- 4th December
PV Wednesday 2nd December, 6.30-8pm
Riverside Cafe Gallery, Farnham Maltings







Saturday, 28 November 2015

Profile on the Zealous X website


Anna Garrett works with fluorescent paint and collage on fabric and canvas. Anna studied BA Fine Art at the UCA Farnham, and her work has been included in several exhibitions in the UK and Europe since graduating in 2014. Prizes include being a Hans Brinker Painting Trophy finalist, Amsterdam, 2013, Rising Stars finalist, 2013, and selected to show work in the Art Athena fair, Athens with Lubomirov-Easton, 2015. Solo exhibitions include ‘Fluore$cent’, Footfall Art, Bermondsey, 2014, and ‘glitter. garden. garbage.’ at the Riverside Cafe Gallery, 2015.


http://about.zealous.co/blog/zealous-x-showcase-visual-arts-anna-garrett-matilda-skelton-mace-maggie-williams/

Selected into 'Public Interrogation: Outside the white Cube' open call

The Multiple Exposure Project ran an open call for photography and video pieces to be displayed in public spaces, on billboards, poster spaces etc. Photos I took in rural Northern Spain in the summer, 'Ruinophilia' were selected.

The works are going to be projected in public spaces in Manila, Philippines !
http://issuu.com/themultipleexposureproject/docs/outside_the_white_cube_-_list_of_wo?e=16564957/31619882



Friday, 27 November 2015

Q and A with the Farnham Maltings about upcoming show 'glitter. garden. garbage.'

What are you working on at the moment and where do you find the ideas for your work?
My works read like paintings but address the notion of the advertising image and the powerful seduction of the commercial dream. I am interested in playing with the viewers’ desires and attraction to colour and surface, only to be repelled by subject matter. The feminine colour palette and ‘My Little Pony’ feel to the works are absorbing – which contrasts to the starkness of the monochrome collaged elements of rubbish bins, pylons and trash. The concept of my work is how these overlooked elements, ruins, gleaned from the everyday world around us could reveal a ‘truth’ in a world of hyper consumer capitalism imagery.
Strawberry Fields, acrylic and collage on MDF
Strawberry Fields, acrylic and collage on MDF
What medium do you use in your practice?
My main medium is painting, and collage. I use drawing as a preliminary tool for sketching ideas. I have an inner urge to draw sometimes but I wouldn’t say it is the core to my practice. I use a mix of acrylic paint and sometimes a little splash of glitter in my work to get the effect I want. This creates a tactile background for me to layer collage onto the painting. I use my own photos, so you could say photography is also a medium that is essential to my practice.
What motivates you to make work, who do you believe has influenced your career & inspired you to start?
What motivates me to make art is the state of the current consumer society we all live in. I want my work to act as a catalyst to encourage people to reflect on the world around them. I am also inspired by painters such as Cy Twombly, Joan Mitchell and Chantal Joffe, and hope to be able to have the opportunity to paint large scale one day. My late Grandma is also a huge motivation for me to make work, she was an artist herself and always encouraged me to pursue art and believed in me.
My influences come from all over. Books I read, I recently finished John Scanlan’s ‘On Garbage’. He talks about trash in relation to consumer culture, philosophy and art, which I found hugely interesting. I am midway through reading Julian Stallabrass’ ‘Gargantua’, which was written in the 90’s and gives a strong opinion on the ‘manufactured mass culture’. Moreover I find fiction and films influential, notably ‘The Road’ by Cormac McCarthy, giving a stark dystopian picture of a dark apocalyptic future that could be.
If you could pick one; what is your favourite piece of work, that you have created, and why?
My favourite piece of work changes all the time, which I am sure is the same for a lot of artists. Right now it is ‘Moths i’ (pictured below), which is actually one of my most recent pieces. It really captures for me what I am trying to achieve in my practice and concepts. It is springboard to new work – I want to push the work further!
Anna Garrett, 'Moths i', acrylic, glitter and collage on fabric, 2015
‘Moths i’, acrylic, glitter and collage on fabric, 2015

If you can name one, what is your proudest achievement?
From my perspective I would say my biggest achievement so far is putting on a group show with my Fine Art peers, at BEARSPACE and Number3London, Deptford, 2014. We all worked so hard together to pull the show off, and I think it looked so great in the space and the whole exhibition was a success. My work was also selected to be shown at an art fair in Athens, with Lubomirov-Easton Gallery earlier this year, which I was so chuffed about.
What is the most indispensable item in your studio?
The studio itself!! I am so grateful to have a space to think, create and realise my ideas.  I love the freedom to be creative in the way I choose and make the work I want. It is so valuable to have the opportunity to have this avenue of my life open and available to me. More practically I do not know where I would be without my journal to write ideas and sketches, to do lists and reflective notes and thoughts!
Where is your favourite place to see art?
London has some amazing commercial, non-profit spaces and museums. However, for me I do not have a ‘favourite’ place to see art, it really depends on the artist or exhibition the space are showing. Any place can have a fantastic show with incredible art, and vice versa, a fantastic place can have a dreadful show. It depends on the artist, the work and the curator. Shows that stand out to me from memory are ‘Body Language’ at the Saatchi in 2013; the Stedaljk Museum in Amsterdam has a wonderful collection of work and I recently saw Tracey Emin’s ‘My Bed’ at Tate Britain which was so powerful. In Paris last year I saw artist Armund Jalut’s solo show at commercial gallery Michel Rein, which was mind-blowing. I keep an eye on social media and online listings for new upcoming shows.

http://craft.farnhammaltings.com/riverside-gallery-anna-garrett-glitter-garden-garbage/

Tuesday, 24 November 2015

'glitter. garden. garbage.' showing at Riverside Cafe Gallery and Take Courage Gallery

Solo exhibition now showing in two locations.
glitter. garden. garbage. 



Riverside Cafe Gallery, Farnham Maltings
27 November - 4 December 2015
Private View: Wednesday 2 December, 6.30 - 8pm 
Open: Mon,Tues, 9.30-5pm, Thurs-Sat, 9.30-8pm

Take Courage Gallery, Amersham Arms, New Cross, London
6 - 10 December 2015
Private View: Monday 7 December, 6.30 - 8pm
Open: 7 days a week, 12pm-12am

glitter. garden. garbage. at the Take Courage Gallery will include two sight specific installations.
Facebook event here: https://www.facebook.com/events/512434778917255/

Thursday, 5 November 2015

News: Through to final exhibition of Zealous X!

Really excited that my work has been chosen out of 1000 entries to be in the final 15!

Zealous is a platform organisation based in East London, and Zealous X is an arts festival at RichMix Shoreditch, in January. I am so excited to be involved.

Here is a link to see all the finalists, shortlisted artists and all the entries:
http://www.zealous.co/!event_entries;id=5166339788374016;round=1


Riverside Cafe Gallery Solo Show: glitter. garden. garbage.

Press Release:

27 November – 4 December, Riverside Café Gallery, Farnham Maltings
ANNA GARRETT
glitter. garden. garbage.

The Riverside Café Gallery is pleased to show a selection of Anna Garrett’s recent body of experimental works entitled glitter. garden. garbage.
Anna’s work suggests how ruin, garbage and the overlooked could reveal ‘truth’ within contemporary consumer culture. Ruin Lust consists of painterly emulations of a digitalised tropical sunset, with ruinous collage breaking the dreamy neon haze. Signs of the ‘paradise’ image and palm tree sight escapism linked to tourism, compared with garbage- objects stripped of mystification. Touching upon the notion of the abject Anna’s work, in particular the series Moths, allures to the seductive toxicity of consumer culture and its reality.

Previous projects include Welcome to Paradise, painting and collage that exposed the hollowness of the image, combining tropical travel brochure imagery with elements of the overlooked reality of human presence.These large scale neon works were on display at the UCA Farnham Degree Show in 2014.

Anna Garrett studied BA Fine Art at the University for the Creative Arts, Farnham, and her work has been included in several exhibitions in the UK and Europe since graduating in 2014. Prizes include being a Hans Brinker Painting Trophy finalist, Amsterdam, 2013, Rising Stars finalist, 2013, being shortlisted for the Signature Art Prize, 2015 and selected to show work in the Art Athena fair, Athens with Lubomirov-Easton Gallery, 2015. Solo exhibitions include 
Fluore$cent, at Footfall Art in Bermondsey, 2014.

www.annagarrett.co.uk
 


Link to ArtRabbit: https://www.artrabbit.com/events/anna-garrett-glitter-garden-garbage

Most recent Newsletter : https://us10.admin.mailchimp.com/campaigns/show?id=452037 



Monday, 2 November 2015

Moths



Moths i, acrylic, glitter and collage on fabric, 60cm x 60cm 


One Man's Trash ii, collage on fabric, 40cm x 40cm


Moths ii, acrylic, glitter and collage on fabric, 50cm x 60cm 


One Man's Trash iii, collage on fabric, 40cm x 40cm

Wednesday, 28 October 2015

Studio move

Moved into my new studio space last week.



Really excited for solo show glitter. garden. garbage.
Riverside Cafe Gallery, Farnham Maltings. 
27th November- 4th December. Private View Wednesday 2nd, 6.30-8pm.

Finishing off some works for the show

 Glitch, acrylic, glitter and collage on fabric and wood, 2015
Santa Monica Dreaming, readymade on wooden frame, 2015

One Man's Trash, collage on fabric, 2015



The Fickle Operations of the Temporary Affections Entertained by Desire, acrylic and collage on mdf, 2015


I have been selected into the second round of judging for the Zealous X prize at Richmix, the exhibition would be in January, so fingers crossed. 

Palm Trees and Pylons and Strawberry Fields have also been selected for an exhibition at the OXO Bargehouse on the Southbank in December. However I am in two minds about displaying the work, there is a fee of £100 which I cannot really afford. Any suggestions or opinion welcome as to what I should do. I'm leaning towards giving it a miss. I turned down showing with the Platform Exhibition at the Leyden Gallery in September because of the £500 fee they don't tell you about on application. Not sure how I feel about paying to exhibit work

Tuesday, 6 October 2015

Summer photos: Ruinophilia






Photo series shot on a Nikon 35mm SLR, in the Sierra Estronad, rural Northern Spain.
http://www.degreeart.com/users/anna-garrett